{"id":105,"date":"2026-01-25T20:48:42","date_gmt":"2026-01-25T20:48:42","guid":{"rendered":"https:\/\/arttmedia.com\/?p=105"},"modified":"2026-01-25T20:48:43","modified_gmt":"2026-01-25T20:48:43","slug":"historia-pas-skenes-se-fundit-me-madheshtore-ne-kinematografi","status":"publish","type":"post","link":"https:\/\/arttmedia.com\/?p=105","title":{"rendered":"Historia pas sken\u00ebs s\u00eb fundit m\u00eb madh\u00ebshtore n\u00eb kinematografi"},"content":{"rendered":"\n

Nga: Gregory Wakeman \/ BBC
P\u00ebrkthimi: Telegrafi.com<\/strong><\/p>\n\n\n\n

Kur Charlie Chaplin u pyet nga revista Life<\/em>, n\u00eb vitin 1966, se cilin nga filmat e tij e konsideronte m\u00eb t\u00eb preferuarin, ai vler\u00ebsoi Dritat e qytetit<\/em> [City Lights<\/em>], p\u00ebrpara se t\u00eb minimizonte arritjet e tij me, \u201cMendoj se \u00ebsht\u00eb i q\u00ebndruesh\u00ebm, i realizuar mir\u00eb\u201d.<\/p>\n\n\n\n

Q\u00eb nga premiera e tij n\u00eb Kineman\u00eb e Los Anxhelosit m\u00eb 30 janar 1931, adhuruesit e kinemas\u00eb dhe regjisor\u00ebt kan\u00eb b\u00ebr\u00eb l\u00ebvdata paksa m\u00eb entuziaste p\u00ebr komedis\u00eb romantike pa z\u00eb, n\u00eb t\u00eb cil\u00ebn personazhi i Vagabondit [Tramp] i Chaplinit bie n\u00eb dashuri me nj\u00eb shit\u00ebse t\u00eb verb\u00ebr lulesh (Virginia Cherrill) e cila e ngat\u00ebrron at\u00eb me nj\u00eb milioner.<\/p>\n\n\n\n

Kur Instituti Britanik i Filmit [BFI] publikoi, n\u00eb vitin 1952, list\u00ebn e par\u00eb t\u00eb tij t\u00eb famshme t\u00eb filmave m\u00eb t\u00eb mir\u00eb t\u00eb t\u00eb gjitha koh\u00ebrave, Dritat e qytetit<\/em> u rendit i dyti bashk\u00eb me Ethet e arit<\/em> [The Gold Rush<\/em>, 1925] t\u00eb Chaplinit. Stanley Kubrick, Orson Welles dhe Andrei Tarkovsky e kan\u00eb p\u00ebrmendur si nj\u00eb nga filmat e tyre t\u00eb preferuar, nd\u00ebrsa skenaristi i Nat\u00ebs s\u00eb gjuetarit<\/em> [The Night of the Hunter<\/em>], James Agee, shkroi se p\u00ebrmbante \u201cpjes\u00ebn m\u00eb t\u00eb madhe t\u00eb aktrimit dhe momentin m\u00eb t\u00eb lart\u00eb n\u00eb filma\u201d.<\/p>\n\n\n\n

Lexo po ashtu:
<\/strong>– Gjeniu i harruar i muzik\u00ebs: Charlie Chaplin<\/a>
– D\u00ebshtimi i Chaplinit n\u00eb gar\u00ebn e “Chaplinit”<\/a>
– Charlie Chaplin dhe nj\u00eb nga fjalimet m\u00eb t\u00eb fuqishme n\u00eb histori<\/a>
– Orson Wellesi p\u00ebr\u00e7mues: Laurence Olivier ishte “budalla”, Spencer Tracy “i urryer”, Charlie Chaplin “arrogant” …<\/a>
– Kur fillova ta doja veten<\/a>
– Th\u00ebnie t\u00eb Chaplinit: Mund t\u00eb p\u00ebrkulesh e t\u00eb mos kap\u00ebsh asgj\u00eb n\u00eb tok\u00eb!<\/a>
– U solla si hajvan \u2026 m\u00eb mbetej t\u00eb vuaja!<\/a><\/p>\n\n\n\n

Momenti n\u00eb fjal\u00eb vjen pik\u00ebrisht n\u00eb fund t\u00eb Dritave t\u00eb qytetit<\/em>. M\u00eb n\u00eb fund i ribashkuar me vajz\u00ebn e luleve, e cila tani sheh, Vagabondi e shikon at\u00eb me dashuri, nd\u00ebrsa kamera err\u00ebsohet.<\/p>\n\n\n\n

\u00cbsht\u00eb nj\u00eb sken\u00eb me emocione t\u00eb pastra dhe me ndjeshm\u00ebri t\u00eb thjesht\u00eb, i cili p\u00ebrmendet rregullisht si p\u00ebrfundimi m\u00eb madh\u00ebshtor n\u00eb historin\u00eb e kinemas\u00eb. N\u00eb 95 vjet\u00ebt q\u00eb nga publikimi i Dritave t\u00eb qytetit<\/em>, filma t\u00eb panum\u00ebrt kan\u00eb tentuar t\u00eb imitojn\u00eb artin e tij t\u00eb ndjesh\u00ebm dhe fuqin\u00eb e interpretimit.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nga: Gregory Wakeman \/ BBCP\u00ebrkthimi: Telegrafi.com Kur Charlie Chaplin u pyet nga revista Life, n\u00eb vitin 1966, se cilin nga filmat e tij e konsideronte m\u00eb t\u00eb preferuarin, ai vler\u00ebsoi Dritat e qytetit [City Lights], p\u00ebrpara se t\u00eb minimizonte arritjet e tij me, \u201cMendoj se \u00ebsht\u00eb i q\u00ebndruesh\u00ebm, i realizuar mir\u00eb\u201d. Q\u00eb nga premiera e tij n\u00eb Kineman\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cult"],"_links":{"self":[{"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arttmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105"}],"version-history":[{"count":1,"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":110,"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions\/110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arttmedia.com\/index.php?rest_route=\/wp\/v2\/media\/109"}],"wp:attachment":[{"href":"https:\/\/arttmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arttmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arttmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}